A possible explanation of the H.O.C.O.
By Gene “Dickhead” Duncker, PXP
How many time have you witnessed the initiation ceremony
of our Ancient and Honorable Order?
Now, ask yourself “How many times
has it been done correctly?” Those two
numbers vary greatly, don’t they? I
submit that it isn’t done right, because it isn’t understood for its true
nature - a comedy sketch. Our H.O.C.O.
is one long joke, meant to be performed and enjoyed instead of just read and endured.
There’s much evidence of this theory. As you read on, it will become clear to
you. It would help greatly if you were
familiar with the ceremony, or have a copy available to which you can
refer. One is available for you at: http://www.stichtingargus.nl/vrijmetselarij/ecv_r.html
. Over the years, some chapters have made additions and/or deletions to the
original script. So, the version with
which you are most familiar may be a bit different. No big deal.
The idea is to get as much humor out of the play as possible, not just
because you slurred your words while drunk.
Let’s face it, our entire existence is based on
humbuggery, tomfoolery and frivolity.
That was the original purpose of E Clampus Vitus, to act as a comedic
foil for the stuffed-shirt fraternal organizations of the 1800's. All our offices, decorations, protocols and
ceremonies, even our history are rip-offs of those held sacred by the “secret
societies” of that day. We were the “Mad
Magazine” and “Saturday Night Live” of the period. Everything we did was for laughs. What better
way to introduce a new brother to that mindset than through a funny play? And, when he’s done, he becomes a “Chairman
Of the Most Important Committee”, or a COMIC, for
short.
To a comedian, timing is the most important aspect of his
craft. We’ve all been victims to the
overextended joke, the one where it take too long to get to the punch line. Now, think about the passing of the staff of
relief. There’s a long build-up of the
importance of doing it right, the power of the staff, its historical and
fraternal significance, blah-blah, blah.
As it goes around the circle, the crescendo builds, the suspense gets
more intense, the PBCs become more involved.
Then, we do the most juvenile, stupid, mindless thing possible - tell
“the chosen one” to shove it up his ass.
The comedy is in the letdown.
It’s the “relief” of having the other shoe drop without serious
consequences. Like a pie in the face,
it’s insult without injury. It’s a big, bad
practical joke.
The use of timing is important in the oath of secrecy, also. The oath is meant to be given in a truncated, staccato manner to build a cadence of one or two syllables per response. Then, when all are comfortable with that rhythm, you spring on them, “Or by gesticulation of any part of my body.”(read all at once and VERY rapidly). It catches them completely off guard, hopefully striking a funny bone. It is through this misdirection of their attention that we keep the PBCs on their toes.
Another comedic device found in our imposing ceremony is
“double entendre”, or the use of words with two meanings. Lo Hung Whang is a Chinese name but also a
physical attribute envied by most Clampers.
Hop Mee is not only her name, but
an invitation as well. The question
about mounting a “wild ass” is almost too obvious to mention, as are the signs
of the well and sick jackass. Their “hidden” meanings really aren’t hidden much
at all. Masters of this art, like
Groucho Marx and Mae West, made careers out of saying clean things that sounded
dirty. Remember that E Clampus Vitus
came into being during the Victorian era, when society was more genteel. Any
reference to sex was hidden behind a veil of decency, no matter how thin
the veil.
There are other wordplay devices used throughout the
ritual meant to bring a smile to one’s face.
“Have you irrevocably obtained your own consent....?” was
the line that tipped me off when I was initiated. When I heard the Roisterous Iscutis ask that
query, I laughed out loud, knowing there
was no danger to me or my fellow PBCs.
The name “Dumbellicus” (when pronounced properly) is another
laugh-getter. Also, the various names referring to the PBCs are meant to sound
onerous, but actually be humorous. It is
a form of hyperbole or exaggeration. Calling them “embryonic brothers”,
“grotesque impotents” and “pitiable wretches” with the proper emphasis and
voice raises the level of suspense, much like the famous “slowly I turned” gag
of vaudeville. More hyperbole can be
found in the exaggerated claims we make as to Adam and the many historical
figures cited as past members of our fraternity.
Slapstick, or physical comedy, is evident in the three
ordeals used to test the mettle of the PBCs.
These are a parody of the Masonic initiation rites, which are quite
solemn and serious. Instead, we have the
initiates perform outrageous gyrations under the false auspices of historical
significance. All that’s missing is the banana
peel on the ground.
We brothers of E Clampus Vitus should be grateful to
those who originally penned the ritual performed in the Hall Of Comparative
Ovations. They put a lot of creativity
and humor in the ceremony. It must have
been quite difficult to make it both acceptable to their society and funny at
the same time. Their memory deserves
that it be done right! We need to bring
to fruition this marvelous and witty creation.
But, to do this takes preparation. You must be ready to perform the
sketch, not just read it. You must know
your lines well enough to pronounce the words correctly and understand their
meaning within the context of the play.
The Latin phrases, as well as words like “imperturbable” and
“ignominious” should fall trippingly from the tongue. This means you need to rehearse your
part. You should speak the words out
loud, so you know the best reading of the line.
If you don’t know what a word means, ask someone - or look it up
yourself! Of course, being sober enough
to understand what you’re doing in essential to a good performance.
Maybe your chapter needs a producer/director for your
H.O.C.O. This person should be
extremely familiar with the entire production.
He should preferably have some theatrical experience, beyond the role of
a barnyard animal in the third grade.
Perhaps the Vice Humbug or some other officer should begin early on the
day of the initiation to determine the cast, distribute the scripts and be sure
the actors are qualified for their roles.
Then, during the ceremony, he should be the one to direct the various
actors in their roles. He’s the one who
knows which part comes next, when the PBCs should stop marching around, when
the Hewgag gets blown, etc. And,
everyone should be following his direction!
It’s obvious that not all officers of ECV are good
performers, or even competent readers.
The part of the Humbug, Clampatriarch or GNR can be played by
anyone. After all, the PBCs are
blindfolded. They have no idea what’s
happening in the real world. If your
chapter is big enough, maybe a permanent company of players could perform your
ritual at each clampout. You could
even have understudies like they do in real theater.
There are many ways to get to the desired end. Try some of these mentioned, or design your own plan. Be creative! That’s what this whole damned E Clampus Vitus thing is about, isn’t it?
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